Thursday, September 16, 2010

Lillian Travel Blog, Entry #4



Hazelton
August, 1927


Kristian Fjeldståd gives me a map that Jozéf left behind, a map of the Telegraph Trail, ending at his destination of Telegraph Creek. But first I must find my west and north, to Hazelton in British Columbia. Kristian thinks there is a railroad in Canada, all the way to the Pacific Ocean.

Kristian’s father, Karl, is not pleased to have me at their farm, a visible reminder as I am of his resentment towards Jozéf. I am not one to linger where I am not wanted. After two days, I accept Kristian’s kind offer of a little food and new boots – boots that he had outgrown – and I am on my way again.

I walk for days, heading west. The land is flat and open, wilder the further west I go. No welcoming lights of a farmhouse, no shelter from the sun. The boots Kristian gave me are too loose. I stuff them with grass, and keep walking.

Then, good fortune. I come to a broad lake which would have taken a full day to walk around, had it not been for the people I meet there, gathering wild rice. They call themselves Métis, and come from the north, from Canada. They speak mostly French and, I, little English, but we manage to work out that in exchange for helping them harvest rice from the lake, they will transport me north in their canoes.

Somewhere on the lakes and rivers we travel, we leave America behind. I do not know much about Canada, only that it is cold in winter and very large – larger than even the United States. The untamed wilderness of North Dakota gives way to endless fields of golden wheat, rising up from the river to tidy farmhouses. It feels orderly. It feels safe. Daydreaming as the Métis paddle, I picture myself living in one of these houses, working in these fields alongside my man – safe from the soldiers and police back home. I imagine what it would be like to belong here. To belong anywhere.

We part ways at Old Wives Lake. From here I walk to Moose Jaw, a small railway town with fine brick buildings -- mostly banks, it seems to me. I hop the first train I can, westward.

I travel curled in the corner of a freight car. I ration my food and water, for I have no idea how many days it will be to Hazelton. Or will it be weeks? I keep my pistol close at hand, wary of the hungry, ragged men who come and go – arriving with a thump and a fright as they hurl themselves into my car. I am constantly afraid that the railway police will spot them, and my hiding place will be given away.

When the box car is too hot and airless to bear, I take a chance and sit by the open door to feel the wind in my face. I watch the sun-bleached prairie roll by -- wheat, wheat and more wheat! -- until, one day, I see in the distance blue hills. The train stops at a place called Cow Town, according to the hobos. Next we go north to Edmonton, where I must change cars – running to catch the westbound train on legs like rubber from disuse.

This train goes through mountains so high they are capped by snow, even in mid-summer. Then Jasper, then Prince George, then countryside where the trees are as high as the mountains. Until at last we reach Hazelton. When the railway police are not looking, I leave the sanctuary of the box car. I must gather supplies, for it is from here that my most difficult journey begins – north through the wilderness along the Telegraph Trail to Telegraph Creek. To Jozéf.
Wednesday, September 15, 2010

Opera Speaks: Alone In A New Land



Alone in a New Land: The Immigrant Experience in Canada

Wednesday, October 6, 2010 7-9pm
Alice MacKay Room, Lower Level
Central Library, 350 West Georgia Street
Admission is free. Seating is limited.


The title character in Vancouver Opera's world premiere production of Lillian Alling arrives in North America through Ellis Island, in New York, in 1927. Central to her story - a single-minded quest that takes her across the continent by foot and boxcar, into the wilds of northwestern British Columbia - is her experience as an immigrant. Alien, ostracized, exposed to danger and taking immense risk, her immigrant experience is a deeply moving undercurrent throughout the opera.

Canada's character has been built with the emotional and spiritual fibre of immigrants such as Lillian. Join a panel of experts and historians, as they portray the stories of individuals and families, from many lands, who have arrived on our shores. Panelists include Nick Noorani, prominent social entrepreneur, immigrant advocate and author of the best-selling book Arrival Survival Canada.

Opera Speaks is an ongoing series of free public events that engage the community in exploring the themes and issues arising from Vancouver Opera's productions. For more information about Opera Speaks, visit www.vancouveropera.ca

Project Onto Me II

The Lillian Alling production crew is hard at work in Banff right now. Here are more video projection goodness from designer Tim Matheson.

An award-winning projection designer, photographer, videographer, Tim Matheson has used the projection of imagery as an element of the set design in over 100 designs for theatre, opera and dance.


Scene 1: home


Scene 3: tenement stairs


Scene 8: at the park


Scene 8: telegraph wires I


Scene 8: telegraph wires II


Scene 9: Oakalla Prison


Scene 10: Vancouver streets


Scene 13: green screen climb


Scene 14: down by the river

~ Ling Chan, Social Media Manager

Photo credit: Tim Matheson
Monday, September 13, 2010

A Postcard From Lillian Alling



After three weeks in New York, I have not found Jozéf. I have learned only that he went to work on a farm in a place called North DAkota. With no money, I will have to travel by foot. I found a map in the library. I know it will be an arduous journey but I am determined to find him. I must find him.

I will write you again soon. Wish me luck!

Sincerely,

Lillian Alling

Lillian Alling Community Events



Engage your mind and your imagination in preparation for the world premiere of Lillian Alling, by composer John Estacio and librettist John Murrell. Explore music, film and BC history through VO’s Lillian Alling Community Events series, organized by Vancouver Opera in collaboration with various partners.

Wednesday, September 22, 10:00am – 11:00am
Saturday, October 2, 2:00pm – 3:00pm
Lillian’s Vancouver: The Chung Collection Tour
Irving K. Barber Learning Centre at UBC
1961 Main Mall


See a vivid picture of Vancouver as it would have looked to Lillian Alling. Explore the reality of immigrants, especially Chinese, as they arrived and worked here in the early part of the 20th century, with a special guided tour of The Chung Collection by UBC Library Archivist Sarah Romkey. Two tours will be held: Wednesday, September 22, 10:00am – 11:00am and Saturday, October 2, 2:00pm – 3:00pm.

Free admission – reservations are required for each tour. Visit www.vancouveropera.ca for details.

Presented in partnership with UBC Library Vault. The Chung Collection is the generous gift of Dr. Wallace Chung and Dr. Madeline Chung, longtime patrons of Vancouver Opera.


Thursday, September 23
Film Screening: Sweet Land
Vancity Theatre, Vancouver International Film Centre
1181 Seymour Street
7:00pm


Director: Ali Selim // USA 2005 // 110 mins
Cast: Elizabeth Reaser, Patrick Heusinger, Alan Cumming, Alex Kingston, John Heard, Ned Beatty, Tim Guinee, Lois Smith

Sweet Land is a poignant and lyrical celebration of land, love, and the immigrant experience, as recollected in a man’s memory of his grandmother’s stories. Inge arrives in Minnesota in 1920 to marry a young Norwegian farmer named Olaf, but the community is suspicious of this German stranger, and the marriage is forbidden. Alone and adrift, Inge goes to live with Olaf’s friend and neighbor Frandsen and his wife Brownie, where she learns the English language, American ways, and a hard-won independence.

Similar in scope but equally as personal, Vancouver Opera’s world-première production of Lillian Alling, by composer John Estacio and librettist John Murrell, is a sweeping story embracing the immigrant experience of the 1920s, the history of British Columbia and the journey of a courageous and driven woman who walked from New York City across North America and along BC’s Telegraph Trail. BC historian and author Jean Barman will introduce the film and offer parallels to consider between these two stories.

Visit www.vancouveropera.ca or http://www.viff.org/theatre/ for details and to book your tickets in advance.


Friday, September 24
Open Chorus Rehearsal
Holy Rosary Hall, 650 Richards Street
7:00pm – 9:00pm


In celebration of Culture Days, a limited number of guests will be admitted to an open rehearsal of the VO Chorus as they prepare for the world premiere of Lillian Alling. Space is extremely limited: admission is first-come, first-served.

Free admission – reservations required. Call 604-683-0222 to make your reservation. Space is limited.


Sunday, September 26
The Word on the Street
Mainstage
Library Square, Vancouver Public Library Central Branch
1:00pm – 1:30pm
Free admission


Where is Lillian? Popping up on the main stage at The Word on the Street, that’s where! Hear excerpts from Lillian Alling. Visit www.vancouveropera.ca or http://www.thewordonthestreet.ca/wots/vancouver for more information.


Monday, September 27
Composition Forum with John Estacio
Barnett Hall, UBC
12:00pm – 1:30pm
Free admission


John Estacio, UBC alumnus and internationally acclaimed composer of Lillian Alling, talks about the creation of this new work and the art and craft of composing. Presented in partnership with the UBC School of Music. Visit www.calendar.events.ubc.ca/cal/event/showEventMore.rdo for more information.


Thursday, September 30
Opera Speaks @ VPL: Creating Lillian: Inside the Creative Process of Lillian Alling
Alice Mackay Room, Vancouver Public Library Central Branch
7:00pm – 9:00pm


Free admission

Discover how a large-scale opera is created from scratch. Composer John Estacio, librettist John Murrell, director Kelly Robinson and members of the production team for Vancouver Opera's new commissioned opera Lillian Alling will share their three year process of writing and producing this dramatic opera that depicts Lillian's epic journey, on foot, across North America in the 1920s.

Cast members will perform excerpts from the opera. This will be a rare opportunity to get inside the creative process with an extraordinary team of opera artists.


Sunday, October 3, 1:00pm – 3:00pm
Saturday, October 9, 10:00am - 12:00pm
Lillian’s world – A Historical Stanley Park Walking Tour
Meet at the Stanley Park Pavilion


Stand where Lillian Alling might have stood when she fell in love with telegraph linesman Scotty Macdonald. Enter Lillian’s world through this historical walking tour of Stanley Park led by historical interpreter Jolene Cumming. Featuring evocative stories and enticing anecdotes, this 2 hour walking tour will focus on the experience of women and will offer rare archival photos of Stanley Park, Vancouver and The Telegraph Trail in the early 1900s. Two tours will be held: Sunday, October,1:00pm – 3:00pm and Saturday, October 9, 10:00am - 12:00pm, rain or shine. Wear comfortable shoes.

Free admission – limited space. Reservations required. Visit www.vancouveropera.ca for details.

Meet at the Stanley Park Pavilion www.stanleyparkpavilion.com/Pavilion/Welcome.html
Accessible by the #19 bus. Pay parking available.


Wednesday, October 6
Opera Speaks @ VPL: Alone in a New Land: The Immigrant Experience in Canada
Alice Mackay Room, Vancouver Public Library Central Branch
7:00pm – 9:00pm
Free admission


The title character in Lillian Alling arrives in North America through Ellis Island, in New York, in 1927. Central to her story - a single-minded quest that takes her across the continent by foot and boxcar - is her experience as an immigrant. Alien, ostracized, exposed to danger and taking immense risk, her immigrant experience is a deeply moving undercurrent throughout the opera.

Canada's character has been built with the emotional and spiritual fibre of immigrants such as Lillian. Join a panel of experts and historians as they portray the stories of individuals and families, from many lands, who have arrived on our shores. Panelists include Nick Noorani, prominent social entrepreneur, immigrant advocate and author of the best-selling book Arrival Survival Canada.

Lillian Alling: The Cast

Internationally celebrated mezzo-soprano Judith Forst joins a stellar cast for Vancouver Opera’s world premiere production of Lillian Alling, the new VO commissioned opera by Canada’s foremost opera-creation team: composer John Estacio and librettist John Murrell.

Joining Ms.Forst will be Quebecoise soprano Frédérique Vézina, a singer of “ravishing sensuousness” (The Toronto Star), and “golden-toned Canadian tenor” Roger Honeywell (Opera News). Baritone Aaron St.Clair Nicholson brings his “manly, rolling expressive voice and wonderful stage instincts” (Classical 96.3FM) to the cast.

The opera features four major characters: Lillian Alling, telegraph man Scotty Macdonald, and the present-day characters Irene and her son Jimmy. Here's a look at the players.



Quebecoise soprano Frédérique Vézina will create the title role. Praised for her “dark mahogany tone” (The Globe and Mail), Ms. Vézina has been a First Prize winner at the Concours International de Chant and a finalist at the Metropolitan Opera National Council Auditions. She returns to VO for the first time since her moving performances as Mimí in 2008’s La Bohème.




International Vancouver-based superstar Judith Forst, OC will create the role of Irene. Ms. Forst’s long and illustrious career includes regular performances with The Metropolitan Opera and the Canadian Opera Company. She has been called “one of the few truly world-class coloratura mezzo sopranos on the operatic stage” (COC Magazine). Ms. Forst is an Officer of the Order of Canada and a recipient of the Order of British Columbia and was last seen in Vancouver in VO’s 2009 production of Salome.




Roger Honeywell returns to Vancouver Opera to create the role of Jimmy. The Toronto-based tenor “with the right kind of heroic mettle to his voice” (Opera Now) returns to Vancouver Opera for this world premiere, having last sung here in 2008’s La Bohème.




Baritone Aaron St.Clair Nicholson, last seen on the VO stage earlier this year as Count Almaviva in The Marriage of Figaro, creates the role of Scotty Macdonald. The Abbotsford-based Mr. Nicholson is noted for the dramatic integrity he brings to his performances. He has been highly praised for his signature role, Papageno, which he recently sang at The Metropolitan Opera.




Bass-baritone Thomas Goerz (also seen last year in The Marriage of Figaro as Dr. Bartolo) creates the roles of Constable Wyman, Sergei and the mysterious Jozéf.

Tenor Colin Ainsworth creates the roles of Bobby, Kristian and Billy; baritone Gregory Dahl sings Sam and Karl; Calvin Powell sings Charlie and The Drifter.


Left to right: Colin Ainsworth, Gregory Dahl & Calvin Powell

Lillian Alling is a sweeping and dramatic work in the tradition of operas on a grand scale. It is VO’s most ambitious commission yet, with over two hours of music, 8 principal singers, a chorus of 40, a 60-piece orchestra and more than 175 costumes created for this world premiere.

Get your tickets now!

Single tickets starting at $29 (plus handling fee) are available from the Vancouver Opera Ticket Centre, online at www.vancouveropera.ca, or by phone at 604-683-0222.

Lillian's Travel Blog, Entry #3



North Dakota
July, 1927


I have been traveling for weeks, but North Dakota is still hundreds of miles ahead of me. At least two more weeks of walking. Then, a stroke of luck. I meet a man who tells me that the train goes to North Dakota. I rub my fingers against my thumb, to say I have no money for a ticket. He laughs, which I take to mean neither does he.

And so with a little instruction I “hop” a train from Chicago as far as Fargo. From there I follow the Red River north to the farm of Karl Fjeldståd. As far as Jozéf’s brother, Sergei, knew, Jozéf was working for this Karl Fjeldståd. I should have had my first inkling of disappointment then. Jozéf, after all, was never given to hard labour in a farmer’s fields.

This landscape feels empty to me – flat and forlorn. The openness I loved in the spring is now punishing under the summer sun. The wind blows ceaselessly, a constant reminder of how small and powerless one is against nature. My thirst is unquenchable and my skin burnt red. I take to traveling in the mornings and evenings, and as far into the night as I dare for fear of walking in circles in the dark. My feet are blistered and I am exhausted, but impatience will not allow me to rest when I am so close to my journey’s end. To Jozéf.

It is night as I near Karl Fjeldståd’s farm. Their barn is visible a mile away, lit by torches and alive with the gay sound of fiddle music. As I draw closer, I hear singing -- the beautiful, spirited singing of many voices together. I see men and women, dancing together. My heart quickens at the thought of Jozéf’s expression when he sees me.

I find Karl Fjeldståd outside the barn, a spry man in his fifties, a little drunk -- no happier to see me than Sergei had been. For one thing, my arrival has interrupted a party. (My appearance must have been frightful compared to the pretty women dancing in fancy dresses inside the barn.) For another, the mere mention of Jozéf’s name sends him into a fury. Jozéf left weeks ago, he says. He ran off with Karl’s best boots and before the planting was done.

I am devastated to have come so close, only to find that Jozéf is gone.

Kristian, Karl’s son, takes pity on me and gives me food. In truth, the handsome young man is taken with me, don’t ask me why. Perhaps because he longs to be a traveler, like me. He is too young, too innocent to imagine what drives me on.

Kristian shares a secret with me, a secret his father does not know. Before he left, Jozéf told Kristian that he was going to find gold, in a place still further west, still further north. In a place called Telegraph Creek, in Canada. A thousand miles away. A thousand miles! My heart sinks. Will this road never end? But there is no question. I will keep going. I will find a way. For at the end of this road, I will find Jozéf.